„Ce second supplément des Inscriptiones Daciae Romanae représente, tout comme le premier, une préparation à la publication des fascicules du quatrième volume des IDR, contenant les inscriptions de Dacie Porolissensis. Il comprend la grande majorité des estampilles sur briques et tuiles du Musée National d’Histoire de Transylvanie de Cluj-Napoca. Malheureusement, pour des raisons techniques, nous n’avons pas eu accès aux pièces prêtées en 1971 au Musée National d’Histoire de Roumanie de Bucarest, lors de la constitution de celui-ci1. Au fil de plusieurs années Mme Viorica Rusu Bolindeț avait apporté dans le dépôt du musée des dizaines de tuiles estampillées du prétoire du consulaire d’Apulum, mais on n’a pas pu agréer aucune solution afin de citer son manuscrit. Du point de vue scientifique la perte n’est pas grande, car il s’agit de types bien connus, publiés dans IDR III/6. En revanche, nous remercions chaleureusement Mme Adriana Isac pour nous avoir permis d’utiliser toutes les pièces provenant du camp de Gilău, dont certaines inédites. Au début de 1997 des tuiles estampillées représentatives ont été envoyées au musée de Zalău en vue d’une exposition illustrant la vie militaire dans le nord de Dacie. Elles n’ont plus été restituées. Afin d’éviter des problèmes administratifs, on les a inclues dans le premier supplément, qui contient les inscriptions sur les briques et les tuiles du musée de Zalău. Le présent volume ne représente pas moins un catalogue du musée de Cluj.” (Prooemium)

„The frontiers of the Roman Empire, over 5000 km long, stretch from the Atlantic coast of Scotland, along the Rhine and the Danube, also enclose the Banat region and Transylvania, then going down along the Oriental Carpathians to the Black Sea; from the southern coast of the Black Sea they continue towards the Near East until the Red Sea; then, in North Africa, they line the edge of the Sahara desert until the Atlantic coast of Morocco. Over this entire area, visible traces of fortifications, roads and settlements are still preserved, but numerous monuments still lay hidden underneath the earth. Despite the fact that the Roman frontiers crossed regions with different relief and climate, they constitute a whole in that they were designed to protect Roman territories. The research of these monuments and the preservation policy regarding them was and is unequal in the various presentday states on whose territory traces of the Roman frontier are to be found. Consequently, in the ‘80s of the 20th century, the idea of globally protecting the Roman frontiers, viewed as a unitary monument, was met. In 1987, Hadrian’s Wall in United Kingdom was declared a UNESCO monument. It was followed in 2005 by the German-Raetian sector, on which occasion the UNESCO committee decided to set up the ‘Frontiers of the Roman Empire’ site. (...)

This project through its complexity generated an interdisciplinary approach of the proposed subject stimulating such future attempts in the archaeological research field. By using the latest technical methods of non-destructive investigation the project did not damage the stratigraphy of the archaeological site obtaining instead a high amount of data otherwise time consuming judging from the archaeological excavations perspective contributing also to the preservation of the cultural heritage.” - Introduction

SOMMAIRE

Alexander Baumgarten, Le reste comme problème de la philosophie

I. Figurer le reste

Luigi Tassoni, La poetica delle somiglianze. Milo De Angelis dalle rovine del soggetto alle tracce del riconoscimento
Corin Braga, Le centre structurel et ses restes
Giovanni Rotiroti, Per una poetica e una politica dei resti a partire da Urmuz: il caso di Tristan Tzara, Eugène Ionesco, Paul Celan e Gherasim Luca
Antonio Patraș, The Anecdote in The History of Romanian Literature from Its Origins to the Present
Ligia Tudurachi, « Jouets », « boîtes », « reliques ». Fascination du petit chez Hortensia Papadat-Bengescu
George Alexandru Condrache, The Residual Forms in Contemporary Central European Literature. Two Case Studies: Bohumil Hrabal and Ádám Bodor


II. Le continent de la non-lecture

Horea Poenar, Glitches of the Archive: On the Relation Between Memory and the Commons
Catherine Gravet, Dépouiller des archives pour éditer des textes « résiduels » : le cas Alexis Curvers
Florin Oprescu & Monica Oprescu, Mateiu Caragiale – Through the Leftovers’ Glass. From the Journal to Ephemerides
Gabriela Glăvan, Communist Leftovers: The Forgotten Books of Gellu Naum
Eugen Radu Wohl, Ion D. Sîrbu’s Anthumous Works as (Re)valuable Residues
Levente T. Szabó, Dilettantism as a Moral Panic. Recovering a Forgotten Discourse of Hungarian Literary Modernization]
Corina Croitoru, Le résidu du résidu : ombres de la poésie roumaine de guerre
Roxana Patraș, When All That Rests Is Literature: Traces, Transcriptions and Remnants of Great Speeches
Arina Neagu, Une autre approche sur les mémoires roumains de prison : le caractère résiduel de « l’indicible concentrationnaire »
Barbara Miceli, How to Turn a Forgotten Figure of American History into a National and Gender Emblem: Joyce Carol Oates’s Treatment of Mary Jo Kopechne in Black Water


III. Identités en marge

Marie Vrinat-Nikolov, Les langues ignorées de l’espace littéraire bulgare
Annalisa Cosentino, La boemia altrove
Marius Popa, Le classicisme français dans la critique littéraire de la génération roumaine de 1848. Radiographies d’un « malentendu »
Lavinia Sabou, The Travel Accounts We Don’t Write About. Eastern European Ways of Mapping the World
Ruxandra Cesereanu, Societal Metabolism and “Excretion”: Towards a Typology of Marginals (The Fiction of Venedikt Yerofeyev, Alexander Zinoviev and Roberto Bolaño)


IV. Survivances

Monica Fekete, La rigenerazione del poema cavalleresco: da centro epico-narrativo a margine del moderno, da trionfo idealistico a spazio del romanzo contemporaneo
Laura Marin, Survivances du neutre
Márta Zabán, Residual Nationalism. The Nineteenth-Century Hungarian Folk Drama as a Reinterpretation of European Theatrical Nationalism. Pour une politique du résiduel en littérature
Ioana Bot, Gli esordi dimenticati della stilistica: Leo Spitzer, censore dei soldati italiani nei campi di prigionia della Prima Guerra Mondiale
Elena Crașovan, (Mis)readings of Contemporary Magical-Realist Fiction in the Context of Romania’s 2000 Literary Generation. The Case of Bogdan Popescu
Adriana Stan, Monuments of Literature, Scraps of Criticism


V. Entretiens: Ioana Bot, What’s Left? A Discussion on the Remains of Writing – and the Remains of Living – with Two European Authors

Profesorul Liviu Franga este demult o prezenţă remarcabilă în cultura românească, deşi scrie mereu cu discreţie, cu reţinere, spre a nu tulbura parcă un anumit echilibru cosmic, în care crede precum credeau marii săi cărturari antici, ilustratori ai clasicismului greco‑latin.

De această dată, distinsul intelectual vine în faţa cititorilor cu o lucrare care este deopotrivă o carte‑manifest şi o carte‑document.

Cartea este în întregimea sa un elogiu adus limbii latine, limbii române, culturii moderne privite ca dezvoltare a acelei antice greco‑romane şi mai ales romane. Liviu Franga scrie aici mai multe fraze memorabile, cu putere de maximă, dar una este antologică: „Romanitatea dispărând, generează umanitatea şi asigură dăinuirea, adică viitorul Istoriei”. Această zicere devine un adevărat imn care s-ar cuveni cântat mereu latinităţii. Dacă decidenţii din domeniul educaţiei ar avea curiozitatea, răbdarea şi inspiraţia să citească această confesiune a profesorului Liviu Franga, ar înţelege ce rost are cunoaşterea limbii latine şi a civilizaţiei romane, precum şi predarea acesteia în şcoală. Autorul ne aminteşte mereu printre rânduri că datorăm latinităţii originea noastră, limba, numele etnic (acela de român), ca şi o anumită forma mentis. Fie şi numai pentru aceasta, lucrarea rămâne antologică, iar autorul merită preţuirea şi lauda tuturor intelectualilor autentici, a iubitorilor de cultură şi a celor care pregătesc viitorul noilor generaţii. (Ioan-Aurel Pop, Preşedintele Academiei Române)