„Cartea Iuliei Hossu debutează printr-un prim capitol dens teoretic, ce ar putea ține locul unei lucrări de sine stătătoare asupra istoriei problematicii pe care urmează să o elaboreze. Într-un prim subcapitol sunt analizate 1.1. Rudenia – scurt istoric al conceptului, cu referințe aproape numai străine, 1.2. Categoriile rudeniei, 1.3. Terminologia rudeniei, după care autoarea dezbate viziunea evoluționistă a părintelui acestui domeniu al antropologiei, Lewis H. Morgan, cu a sa celebră Sisteme de consangvinitate şi de alianţă în familia umană, din 1870, urmată de analizarea conceptelor lui W.H. R. Rivers, expuse într-o lucrare din 1915. Urmează perspectiva lui K. B. Malinowski cu viziunea funcționalistă și cea a lui Alfred Reginald Radcliffe-Brown, dezvoltată în două subcapitole. Nu în ultimul rând, sunt abordate și viziunile lui Claude Lévi-Strauss și a structuralistului David Schneider, criticul sistemelor clasice și al descendenților acestora.” (Ion Cuceu din Prefață)

„Roman pottery is an important indicator of provincial economic life at multiple levels. the detailed study of this material culture category provides valuable information regarding the characteristics of the local ceramic industry and the geographic distribution of its products, either regionally or at the scale of whole the Empire, but is equally revelatory for the reconstruction of various aspects regarding the local population's everyday life. their culinary preferences are reflected by their choice of cooking, serving, storing, and transportation vessels, furthermore, the funerary rites can also be differentiated according to the pottery gravegoods, while the patterns of construction activities can be highlighted by the quantity of ceramic building material (CBM) produced and used in various periods.

The ceramic goods were produced in workshops whose integral structures were often only superficially treated within the investigation of certain sites, thus hindering the possibility of elucidating the process and organization of the pottery production of these provincial centres. For this reason the information needed to outline a comprehensible image concerning this important branch of the ancient economy has to be pieced together from fragmentary datasets which once joined together offer an extremely interesting picture.” (Introduction)

 

SOMMAIRE

Alexander Baumgarten, Le reste comme problème de la philosophie

I. Figurer le reste

Luigi Tassoni, La poetica delle somiglianze. Milo De Angelis dalle rovine del soggetto alle tracce del riconoscimento
Corin Braga, Le centre structurel et ses restes
Giovanni Rotiroti, Per una poetica e una politica dei resti a partire da Urmuz: il caso di Tristan Tzara, Eugène Ionesco, Paul Celan e Gherasim Luca
Antonio Patraș, The Anecdote in The History of Romanian Literature from Its Origins to the Present
Ligia Tudurachi, « Jouets », « boîtes », « reliques ». Fascination du petit chez Hortensia Papadat-Bengescu
George Alexandru Condrache, The Residual Forms in Contemporary Central European Literature. Two Case Studies: Bohumil Hrabal and Ádám Bodor


II. Le continent de la non-lecture

Horea Poenar, Glitches of the Archive: On the Relation Between Memory and the Commons
Catherine Gravet, Dépouiller des archives pour éditer des textes « résiduels » : le cas Alexis Curvers
Florin Oprescu & Monica Oprescu, Mateiu Caragiale – Through the Leftovers’ Glass. From the Journal to Ephemerides
Gabriela Glăvan, Communist Leftovers: The Forgotten Books of Gellu Naum
Eugen Radu Wohl, Ion D. Sîrbu’s Anthumous Works as (Re)valuable Residues
Levente T. Szabó, Dilettantism as a Moral Panic. Recovering a Forgotten Discourse of Hungarian Literary Modernization]
Corina Croitoru, Le résidu du résidu : ombres de la poésie roumaine de guerre
Roxana Patraș, When All That Rests Is Literature: Traces, Transcriptions and Remnants of Great Speeches
Arina Neagu, Une autre approche sur les mémoires roumains de prison : le caractère résiduel de « l’indicible concentrationnaire »
Barbara Miceli, How to Turn a Forgotten Figure of American History into a National and Gender Emblem: Joyce Carol Oates’s Treatment of Mary Jo Kopechne in Black Water


III. Identités en marge

Marie Vrinat-Nikolov, Les langues ignorées de l’espace littéraire bulgare
Annalisa Cosentino, La boemia altrove
Marius Popa, Le classicisme français dans la critique littéraire de la génération roumaine de 1848. Radiographies d’un « malentendu »
Lavinia Sabou, The Travel Accounts We Don’t Write About. Eastern European Ways of Mapping the World
Ruxandra Cesereanu, Societal Metabolism and “Excretion”: Towards a Typology of Marginals (The Fiction of Venedikt Yerofeyev, Alexander Zinoviev and Roberto Bolaño)


IV. Survivances

Monica Fekete, La rigenerazione del poema cavalleresco: da centro epico-narrativo a margine del moderno, da trionfo idealistico a spazio del romanzo contemporaneo
Laura Marin, Survivances du neutre
Márta Zabán, Residual Nationalism. The Nineteenth-Century Hungarian Folk Drama as a Reinterpretation of European Theatrical Nationalism. Pour une politique du résiduel en littérature
Ioana Bot, Gli esordi dimenticati della stilistica: Leo Spitzer, censore dei soldati italiani nei campi di prigionia della Prima Guerra Mondiale
Elena Crașovan, (Mis)readings of Contemporary Magical-Realist Fiction in the Context of Romania’s 2000 Literary Generation. The Case of Bogdan Popescu
Adriana Stan, Monuments of Literature, Scraps of Criticism


V. Entretiens: Ioana Bot, What’s Left? A Discussion on the Remains of Writing – and the Remains of Living – with Two European Authors

 

SOMMAIRE

Horea Poenar, A World to Win. But in Whose Image?


I. The Challenge of Community

Simon Harel, Face aux littératures des Premières Nations
Florin Poenaru, We, the People!: Community, Populism and the Crisis of Political Representation
Alex Cistelecan, Community Building in Post-historical Times
Vladimir Borțun, The EU is Naked: The Progressive Clothes of a Capitalist Project
Horea Poenar, Bad New World. The (Relative) Rebirth of the Commons
Călina Părău, Community and Togetherness after the Non-sharable
Alexandru Matei, De la métaphysique du « commun » au « comment vivre ensemble ». Jean-Luc Nancy et Roland Barthes sur la communauté
Aura Poenar, Reconstructing Communities. In Spite of all Machinery of Disimagination
Corin Braga, L’attaque contre l’individualité dans les antiutopies totalitaires modernes
Diana I. Santiago, Slaves and Slavery in the 19th Century Puerto Rican Literature
Laura T. Ilea, Inch’Allah : La honte et la « géographie de l’affect »
Emmanuela Pustan, On the Artistic Propensity of Pathology: Georges Didi-Huberman and the Invention of Hysteria


II. Communities at Work

Ioan Pop-Curșeu, Can Art (Re)build a Community? The Roşia Montană Case, between Past and Future
Ruxandra Cesereanu, Political Escapes from Prisons and Camps in the 20th Century – Antisystemic Mentalities
Marius Lazăr, What Can Be Seen. Documenting the Transition Between Telling and Showing
Carmen Borbély, Communities under Erasure in Seamus Deane’s Reading in the Dark
Petronia Popa Petrar, Written Communities: Imagining Connection in Virginia Woolf’s Novels
Alina Monica Toma, Dystopian Community in Lois Lowry’s Novel The Giver
Amalia Cotoi, Mircea Nedelciu’s Community of Tratament fabulatoriu
Rareș Moldovan, The State of Play: Geektopia in Ready Player One
Doru Pop, Deterritorialized Cinema, Dislocated Spaces and Disembodied Characters in Bogdan Mirică’s Câini
Mihaiela Ilea, Niche Structures in Television. Video Poetry – Visually Reading the Reality
Răzvan Cîmpean, Kaleidoscopic History. Visually Representing Community in Tarkovsky’s The Mirror
Cristina Popescu, The Woman as a Misfit in Michelangelo Antonioni’s Tetralogy
Cristina Diamant, Stranger(s’) Voices at Home. The Many Faces of Cillian Murphy as the Misfit
Iulia Rădac, The Posture of the Writer in a Teenager’s Book: Mircea Eliade’s Romanul Adolescentului Miop

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